Alexandra Marraccini received her BA from Yale University in History (2009), where she was a Bartels Fellow at the Yale Center for British Art and a recipient of the Van Sinderen Book Collecting Prize. She earned her MA in Medieval Studies at University of Toronto (2010-11), where she continued to work on book illustration as a locus of discourse about nature and the structure of natural knowledge. Her research focuses on Late Medieval and Early Modern scientific images, particularly alchemical and medical material, in England, Scotland, Germany, and the Netherlands. Her interests in the field also include book history and manuscript studies, Late Antique material culture, and the historiography of art, particularly in Warburgian contexts. Currently, she is writing on the history of Hermetic-scientific images and diagrams, and her work on Elias Ashmole’s copies of the Ripley Scrolls is forthcoming in the journal Abraxas.