Jessica Landau


Jessica Landau is a specialist in 19th and 20th century American art. Her research looks at images of North American megafauna and landscapes in order to understand the ways in which problematic settler colonial and masculinist tropes from these periods are still present in contemporary conservation discourse. Her methodology, which draws from the Environmental Humanities and Indigenous Critical Theory, understands animals and places as once living creatures and physical landscapes - incorporating ecological knowledges of species and habitats into her analyses. She uses this methodological approach in her current book project, “Critical Habitat: Picturing Conservation, Extinction, and the American Animal in the Long Twentieth Century,” which analyzes representations of currently or one-time at-risk species (including wolves, white tail deer, polar bears, and even Bigfoot) as part of a specifically American mode of image making she has termed the “conservation aesthetic.” According to Landau, the conservation aesthetic functions as a dialectic in that it works to engage viewers in efforts to preserve biodiversity while simultaneously reifying forms of Rooseveltian-era masculinity and settler colonial notions of belonging that led to species endangerment in the first place.

She has taught at the University of Pittsburgh, National Louis University, and Eastern Illinois University. In 2019-2020 she was a Mellon Pre-Doctoral Fellow in the Environmental Humanities at the Humanities Research Institute at the University of Illinois. She has served as the managing editor of NAIS: the Journal of the Native American and Indigenous Studies Association and Media-N: the Journal of the New Media Caucus as well as Assistant Curator at the Carnegie Museum of Natural History in Pittsburgh, PA, and as Associate Curator of the Brinton Museum in Big Horn, WY.


"The Process of Coming and Going in this World: a Conversation about Interspecies Collaboration, Domestication, and Sound," with Ruth Burke, Society & Animals, Special Issue: Perceptual Encounters (forthcoming, 2021)


“Preserving the (uncanny) End of Nature: Hiroshi Sugimoto’s Dioramas” in Antennae: Exposing Animals, #40 (Summer 2017): 20-30



Niall Atkinson
Niall Atkinson
Medieval and Renaissance Architecture and Urban History
Department Chair
CWAC 260
Seth Estrin
Seth Estrin
Ancient Greek Art and Archaeology
MAPH Art History Advisor
CWAC 264
Wei-Cheng Lin
Wei-Cheng Lin
Chinese Art and Architecture
Architectural Studies Advisor
CWAC 268
Iowa State University
Assistant Professor, East Asian Art and Architecture
Potters Wheel
Richard Neer
Ancient Greek Art and Architecture
CWAC 259
Andrei Pop
Andrei Pop
Modern Art and Aesthetics
1130 East 59th Street
Megan Sullivan
Megan Sullivan
Modern and Contemporary Latin American Art
CWAC 272