Monochrome Multitudes Artist Lecture: Irena Haiduk

Monochrome Multitudes Artist Lecture: Irena Haiduk

Lecture
CWAC 157
Add to Calendar 2022-09-29 17:00:00 2022-09-29 17:00:00 Monochrome Multitudes Artist Lecture: Irena Haiduk In conjunction with the exhibition Monochrome Multitudes, the Smart Museum of Art, the Department of Art History, and University of Chicago partners present a quarter-long artist talk series. ABOUT THE ARTIST She cleaned props at the Yugoslav Dramatic Theater. When the war broke all currency, most people lost their jobs. Money proved, again and again, a weak foundation for anything, an economy for those who have no imagination to transact in any other way. Both she and her sister worked to help the family survive. She cleaned after school. Every night, for a year, she prepared the props and handed them to actors as they entered the stage. Before coming on, the actor was just a person, and the prop was just a thing, but when they crossed over they transformed. The prop wanted to act as much as the actor. They played. After their work was done, both the prop and the actor would exit and re-assume their former states. The frame of the stage endowed everything crossing it with living, and a will to act; the prop and actor equals, vivified by the frame of art. This life that favors everything as animate, charged with will and relation, this is the life art has to offer. Our work is to demonstrate it and expand the frame of art outward until there is no outside. SCHEDULE September 29: Irena Haiduk October 6: Arturo Herrera October 13: Dan Peterman October 20: Sheila Hicks October 27: Amanda Williams November 3: Byron Kim November 17: Haegue Yang December 1: Tobias Rehberger SUPPORT Support for the Monochrome Multitudes artist lecture series has been provided by the Goethe-Institut and the following University of Chicago partners: Center for East Asian Studies, Center for Latin American Studies, Center for the Art of East Asia, Center for the Study of Gender and Sexuality, Department of Art History, Franke Institute for the Humanities, Institute on the Formation of Knowledge, Open Practice Committee in the Department of Visual Arts, and Wigeland Fund in the Division of the Humanities.   Image: Irena Haiduk, Proof of Sirens (Siren Bay), 2017. Photo by Tom Van Eynde. Various distribution formats. CWAC 157 Department of Art History drupal@seastar.uchicago.edu America/Chicago public
irena haiduk

In conjunction with the exhibition Monochrome Multitudes, the Smart Museum of Art, the Department of Art History, and University of Chicago partners present a quarter-long artist talk series.

ABOUT THE ARTIST

She cleaned props at the Yugoslav Dramatic Theater. When the war broke all currency, most people lost their jobs. Money proved, again and again, a weak foundation for anything, an economy for those who have no imagination to transact in any other way. Both she and her sister worked to help the family survive. She cleaned after school.

Every night, for a year, she prepared the props and handed them to actors as they entered the stage. Before coming on, the actor was just a person, and the prop was just a thing, but when they crossed over they transformed. The prop wanted to act as much as the actor. They played. After their work was done, both the prop and the actor would exit and re-assume their former states.

The frame of the stage endowed everything crossing it with living, and a will to act; the prop and actor equals, vivified by the frame of art. This life that favors everything as animate, charged with will and relation, this is the life art has to offer. Our work is to demonstrate it and expand the frame of art outward until there is no outside.

SCHEDULE

SUPPORT

Support for the Monochrome Multitudes artist lecture series has been provided by the Goethe-Institut and the following University of Chicago partners: Center for East Asian Studies, Center for Latin American Studies, Center for the Art of East Asia, Center for the Study of Gender and Sexuality, Department of Art History, Franke Institute for the Humanities, Institute on the Formation of Knowledge, Open Practice Committee in the Department of Visual Arts, and Wigeland Fund in the Division of the Humanities.

 

Image: Irena Haiduk, Proof of Sirens (Siren Bay), 2017. Photo by Tom Van Eynde. Various distribution formats.