Alan Longino is a Ph.D. student studying postwar Japanese conceptual art and global contemporary art. His research considers a telepathic & post-verity mode of communication between information systems and image production. Previously, he co-curated the exhibition, Yutaka Matsuzawa, at Yale Union (2019, with Reiko Tomii), and re-published the artist’s 1988 manuscript, Quantum Art Manifesto, for the first time outside of Japan. He has contributed writing towards essay and exhibition texts for artists, museums, and galleries, and criticism of his has appeared in Heichi, Artforum, and the Haunt Journal of Art, UC Irvine. Alongside his academic research, Alan was a founding member of Wendy’s Subway, a library, writing space, and independent publisher in Brooklyn, NY, and has worked in galleries such as Jan Kaps, Cologne, and Miguel Abreu Gallery, New York.