RAVE: Sizhao Yi
“A Material Metaphor: Reading Crackle-Glazed Porcelain in Chen Hongshou’s Paintings”
Sizhao Yi, PhD Student, Art History
Respondent: Meng Zhao, PhD Candidate, Art History
Sizhao Yi is a PhD student in East Asian art and material culture with a particular interest in objects from late imperial China. She received her Bachelor’s degree in Journalism from the University of Hong Kong in 2016, and her MA from the University of Chicago in 2017. Her master’s thesis examined two embroidered jackets excavated from an imperial tomb of the Ming Dynasty, which she encountered during her internship at the textile conservation department in the Archeology Institute, Chinese Academy of Social Sciences.
Meng Zhao is a PhD candidate studying Chinese art with a focus on painting practice of the middle period (ca. 800-1400). Her doctoral dissertation, “Roaming, Listening, Gazing: Human Presence Onstage in Song-Yuan Landscape Art (960-1368),” investigates the related ways in which major landscapists from the end of the eleventh to the fourteenth century turned their attention to the portrayal of human presence and responded in various efforts to the psychological dimension of multi-layered figure-landscape relationship. She is also interested in pictorial representation of beautiful women and its relation to synesthesia and the mingling of senses, and the imagination and depiction of dreams in the mid- and late Ming Dynasty. Meng is currently a COSI Writing Fellow at the Art Institute of Chicago, where she is researching for the AIC's digital project on Chinese paintings.
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