Chat About: Christian Bumala & Laveen Gammie + Drew Parkinson & Kay Kim
Christian Bumala & Laveen Gammie + Drew Parkinson & Kay Kim
Chat About: Drew Redman & Eleonore Zurawski + Christian Bumala & Rebekka Federle
Drew Redman in dialogue with Eleonore Zurawski
Considering the wide-ranging interpretations of historical and contemporary landscape and the horizon within image-making, Drew Redman and Eleonore Zurawski each discuss their relationship between both form and content as well as personal narrative and artistic sensibility.
Drew Redman is a MAPH student studying art history, with an interest in nineteenth-century American and British landscape art.
Serra on “The Core” Cover
During last year’s Gold Gorvy Traveling Seminar on “Earthworks Revisited” taught by Prof. Christine Mehring, Sila Ulug, a joint PhD candidate in Art History and Theater and Performance Studies, picked up a ventriloquist doll at a Las Vegas thriftstore.
Objectified: Methods in Environmental Humanities
Objectified: Methods in Environmental Humanities
February 5–February 23, 2024, Cochrane-Woods Art Center, 2nd floor
VMPEA: Ouyang Zhenyu
“On Dispersed Chinese Art Digitization Project (DCADP)”
Ouyang Zhenyu, Lecturer, Xi’an Jiaotong University, China
*This event is sponsored by the Center for the Art of East Asia
RAVE: Hilary Thurlow
“Tania Bruguera’s Permanent Revolution”
Hilary Thurlow (Monash University, PhD Candidate, Art History and Theory)
RAVE: Adriana Obiols Roca
“Roberto Cabrera’s Index of Violence: Art and Disappearance in 1970s-80s Guatemala”
Adriana Obiols Roca (University of Chicago, PhD Candidate, Art History)
RAVE: Sam Lee
“Art and Artifice: Fried, Adorno, Cavell and the Case of Animated Statues”
Sam Lee (University of Chicago, PhD Student, Social Thought)
Archives in Translation
Rebecca Kosick will discuss archives and translation as both methods and outcomes of academic research. She will address her experiences working with personal and institutional archives, reflecting on practicalities (such as permissions and record-keeping) as well as bigger questions about how translation and archival work can shape critical writing. Kosick is Senior Lecturer in Comparative Poetry and Poetics and Co-Director of the Bristol Poetry Institute at the University of Bristol (UK).