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Exhibition Opening:
Small Frequencies
Selections from the Booth Art Collection
McGiffert House, 5751 S. Woodlawn Ave, 3rd Fl.
Curated by Harry Choi, Margaret Hire, and Elizabeth Smith
with support of Canice Prendergast, Christine Mehring, Jennifer Carty and the Booth School of Business
In 1936, the Bauhaus artist László Moholy-Nagy was hired to create a montage sequence for Things to Come, a sci-fi film scripted by famed author H.G. Wells. Telling the story of a world wrecked by global war, poison gas, and contagious epidemics before its eventual reconstruction, the film stands as both a reflection on the First World War and an uncanny prefiguration of the Second.
The Research in Art and Visual Evidence (RAVE) Workshop provides a forum for University of Chicago graduate students––and the occasional faculty or outside speaker––to present their works-in-progress whose research centers on art or any type of visual and material culture. RAVE provides visually-minded scholars from across the university with the opportunity to receive feedback from art historians, while also ensuring that art historians think broadly and experimentally about their projects.
June 5
The Research in Art and Visual Evidence (RAVE) Workshop provides a forum for University of Chicago graduate students––and the occasional faculty or outside speaker––to present their works-in-progress whose research centers on art or any type of visual and material culture. RAVE provides visually-minded scholars from across the university with the opportunity to receive feedback from art historians, while also ensuring that art historians think broadly and experimentally about their projects.
May 29
The Research in Art and Visual Evidence (RAVE) Workshop provides a forum for University of Chicago graduate students––and the occasional faculty or outside speaker––to present their works-in-progress whose research centers on art or any type of visual and material culture. RAVE provides visually-minded scholars from across the university with the opportunity to receive feedback from art historians, while also ensuring that art historians think broadly and experimentally about their projects.
May 15 **Special Event**
May 8
Nancy P. Lin, PhD candidate, Department of Art History
"Going Outdoors: Keepers of the Waters and Experiments in Site-Based Art Practice in the 1990s"
Respondent: TBD
*No pre-circulated paper.
Joint event RAVE x VMPEA
The Research in Art and Visual Evidence (RAVE) Workshop provides a forum for University of Chicago graduate students––and the occasional faculty or outside speaker––to present their works-in-progress whose research centers on art or any type of visual and material culture. RAVE provides visually-minded scholars from across the university with the opportunity to receive feedback from art historians, while also ensuring that art historians think broadly and experimentally about their projects.
April 24
The Research in Art and Visual Evidence (RAVE) Workshop provides a forum for University of Chicago graduate students––and the occasional faculty or outside speaker––to present their works-in-progress whose research centers on art or any type of visual and material culture. RAVE provides visually-minded scholars from across the university with the opportunity to receive feedback from art historians, while also ensuring that art historians think broadly and experimentally about their projects.
April 17
The Research in Art and Visual Evidence (RAVE) Workshop provides a forum for University of Chicago graduate students––and the occasional faculty or outside speaker––to present their works-in-progress whose research centers on art or any type of visual and material culture. RAVE provides visually-minded scholars from across the university with the opportunity to receive feedback from art historians, while also ensuring that art historians think broadly and experimentally about their projects.
Friday April 5 at 3pm