Niall Atkinson

Biography

Niall Atkinson’s teaching and scholarship focus on public space, urban history, soundscapes, geography and travel, as well as the architecture and urbanism of late Medieval and Renaissance Italy.

Current research projects include “The Wandering Body and the Wondering Eye: Early Modern Travel and the Art of Describing,” considering how early modern Mediterranean travelers, often disoriented and at the mercy of the elements, developed vernacular techniques for describing unfamiliar landscapes as integrated systems of human design and nature. By the 15th century, these practices had been absorbed into architectural thinking about ideal urban design, laying groundwork for the more rationalized notion of “territory” central to the modern state. The companion “Narrated Landscapes” applies experimental computational text analysis to multilingual travel accounts. Using the spatial technique Narrative Ribbons, Atkinson and Brooke Luetgert investigate how linguistic, religious, and cultural traditions shape shared places across journeys. With Carmen Caswell, Atkinson is working on CATASTO (Communities, Architecture, and Technology Aligning in Space and Time Online), drawing on property data from the 1427 tax census (Catasto) in the Florentine State Archives to build a digital topography of Renaissance Florence at the height of its artistic and architectural achievement. Atkinson also collaborates on “Florence Illuminated,” which federates five digital humanities projects about Renaissance Florence onto a shared cartographic platform with a common data schema. The initiative addresses a persistent gap in the digital humanities: the ability to share data and infrastructure across related archival and technical projects.

In 2019, Atkinson was the Geddes Visiting Fellow at the School of Architecture at the University of Edinburgh. He received the President’s Citation for creative and curatorial work representing Chicago in 2018 as one of the curators, with Ann Lui, of the US Pavilion at the Venice Architecture Biennale (American Institute of Architects). His research has been supported by the National Endowment of the Humanities (NEH), the Harvard Center for Italian Renaissance Studies, Villa I Tatti; the Neubauer Collegium for Culture and Society at the University of Chicago; the Samuel H. Kress Foundation; and the Kunsthistorisches Institut in Florenz. In 2018, Niall was honored with the Faculty Award for Excellence in Graduate Teaching and Mentoring at the University of Chicago.

Publications

The Noisy Renaissance: Sound, Architecture, and Florentine Urban Life

Penn State University Press
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2016

"Neighborhood demographics at the Foundation of the Innocenti: A Test Case in Mapping the Florentine Catasto of 1427,” with Carmen Caswell, I Tatti Studies in the Italian Renaissance (2023): 165-197. 

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“Early Modern Rome on the Move: Ecological Contradictions in the Representation of a Reemerging City,” with Susanna Caviglia, RES, 77-78 (2023): 1-20.

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"Florence, 1494: Politics in Motion in the Streets of Florence,” Journal of Early Modern History (March 2021): 61-95.

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“Taking Architectural Theory on the Road: The Sliding Scales of the Florentine Traveler," in Florence in the Early Modern World: New Perspectives. Nicholas Baker and Brian J. Maxon, eds. Routledge, 2019, 21-49.

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“Making Sense of Rome in the Eighteenth-Century: Walking and the French Aesthetic Imagination” (with Susanna Caviglia), Word and Image (Sept 2018): 216-36. 

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“Getting Lost in the Italian Renaissance,” I Tatti Studies in the Renaissance 19, 1 (2016)

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“Seeing Sound: Mapping the Florentine Soundscape,” in Mapping Space, Sense, and Movement in Florence: Historical GIS and the Early Modem City, eds. Nicholas Terpstra, Colin Rose (Routledge, 2016)

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“Thinking Through Noise, Building Toward Silence: Creating a Sound Mind and Sound Architecture in the Premodern City,” Grey Room 60 (2015)

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“The Social Life of the Senses: Architecture, Food, and Manners in the Renaissance,” in A Cultural History Of The Senses, Vol. 3:  Renaissance, ed. Herman Roodenburg (London, New York: Bloomsbury, 2014)

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“The Italian Piazza: From Gothic Footnote to Baroque Theater,” in A Companion to Renaissance and Baroque art, ed. Babette Bohn and James M. Saslow (Chichester, West Sussex; Malden, MA: Wiley Blackwell, 2013)

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Exhibitions

U.S. Pavilion at the 2018 Venice Architecture Biennale (co-curator)

Profiles

Megan Sullivan
Megan Sullivan
Modern and Contemporary Latin American Art
Interim Chair
CWAC 272
773.702.5126
Niall Atkinson
Niall Atkinson
Medieval and Renaissance Architecture and Urban History
CWAC 260
773.702.0270
Wei-Cheng Lin
Wei-Cheng Lin
Chinese Art and Architecture
Director of Graduate Studies
CWAC 268 | Office Hours: Wednesdays 9-10am and 12-1pm
773.702.0268
2006-07
Iowa State University
Assistant Professor, East Asian Art and Architecture
Ann Lui
Ann Lui
Director of Undergraduate Studies, Architectural Studies
Potter wheel
Richard Neer
Ancient Greek Art and Architecture
CWAC 259
773.702.5890
Andrei Pop
Andrei Pop
Modern Art and Aesthetics
CWAC 162
773.702.0278