Wu Hung has published widely on both traditional and contemporary Chinese art. His interest in both traditional and modern/contemporary Chinese art has led him to experiment with different ways to integrate these conventionally separate phases into new kinds of art historical narratives, as exemplified by his Monumentality in Early Chinese Art and Architecture (1995), The Double Screen: Medium and Representation of Chinese Pictorial Art (1996), Remaking Beijing: Tiananmen Square: the Creation of a Political Space (2005), A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture (2012), and Zooming In: Histories of Photography in China (2016). Several of his ongoing projects follow this direction to explore the interrelationship between art medium, pictorial image, and architectural space, the dialectical relationship between absence and presence in Chinese art and visual culture, and the relationship between art discourse and practice.
Wu Hung has received many awards for his publications and academic services, among which he is most proud of the Faculty Award for Excellence in Graduate Teaching at the University of Chicago (2007) and the Distinguished Teaching Award from the College of Art Association (2008).
Wu Hung is Director of the Center for the Art of East Asia at the University of Chicago. He is an elected member of the American Academy of Arts and Sciences and the American Philosophical Society, and sits on the boards and advisory committees of many research institutes and museums in the United States and China.
Wu Hung delivered the Andrew W. Mellon Lectures at the National Art Gallery in 2019.