Department of Art History

“Notes from the Ground,” Critical Inquiry (2004)

“Res Ipsa Loquitur,” in Things that Talk (Zone Books: 2004)

“Enabling Confusion,” in History of Photography Vol 26, No. 2 (Summer 2002)

“Nineteenth-century photography of sculpture and the rhetoric of substitution,” in Sculpture and Photography: Envisioning the Third Dimension (Cambridge: Cambridge University Press, 1998)

“Visualization and Visibility,” in Picturing Science/Making Art (Reaktion Books: 1997)

“Territorial Photography,” in Landscape and Power, ed. W.J.T. Mitchell (Chicago: University of Chicago Press, 1994)

“Fenetres, Miroirs, et transparence picturale,”Cahiers du Musee National d'Art Moderne (Autumn 1992)

“Réflexions sur Les Ménines: le paradoxe perdu,” with Ted Cohen, Cahiers du Musee National d'Art Moderne (Summer 1991)

“Preface,” On the Art of Fixing A Shadow (Washington, D.C.: National Gallery of Art; Chicago: Art Institute of Chicago, 1989)

Gentlemen Photographers: the Work of Loring Underwood and Wm. Lyman Underwood (Solio Foundation, 1987)