Karin Krause is an art historian who specializes in the Christian visual culture of Byzantium and the pre-modern Mediterranean.
Her first book, The Illustrated Homilies of John Chrysostom in Byzantium, published in German, won an award from the Southeast Europe Association (Südosteuropa-Gesellschaft). Making available for the first time many of the illuminated manuscripts that contain the teachings of Byzantium’s preeminent theologian, it reconstructs the circumstances of their production and their relevance for the liturgy. Krause is currently completing a second book with the working title Images of Inspiration: Art, Authenticity, and the Sacred in Byzantium. It explores claims about the divine origin of sacred texts and material artifacts, claims that are manifest in both theological writings and visual images. Analyzing how their underlying notions of authenticity were adapted from Greco-Roman and Jewish antiquity, the study also shows how Byzantine thinkers reinterpreted ancient epistemic theories of truth in order to promulgate claims of religious orthodoxy and authority. Krause’s third monograph, tentatively titled Propaganda, Cult, Scholarship: The Response to Byzantine Artifacts in Venice is far advanced, and builds on her previous publications on the impact of Byzantine culture on medieval and early modern Italy.
Karin Krause’s research has been supported by the German Research Community (DFG), the Max Planck Society, Dumbarton Oaks, the Gerda Henkel Foundation, the German Academic Exchange Service (DAAD), and others.