Wu Hung


Wu Hung has published widely on both traditional and contemporary Chinese art. His interest in both traditional and modern/contemporary Chinese art has led him to experiment with different ways to integrate these conventionally separate phases into new kinds of art historical narratives, as exemplified by his Monumentality in Early Chinese Art and Architecture (1995), The Double Screen: Medium and Representation of Chinese Pictorial Art (1996), Remaking Beijing: Tiananmen Square: the Creation of a Political Space (2005), A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture (2012), and Zooming In: Histories of Photography in China (2016). Several of his ongoing projects follow this direction to explore the interrelationship between art medium, pictorial image, and architectural space, the dialectical relationship between absence and presence in Chinese art and visual culture, and the relationship between art discourse and practice.

Wu Hung has received many awards for his publications and academic services, among which he is most proud of the Faculty Award for Excellence in Graduate Teaching at the University of Chicago (2007) and the Distinguished Teaching Award from the College of Art Association (2008).

Wu Hung is Director of the Center for the Art of East Asia, and Consulting Curator of the Smart Museum of Art at the University of Chicago. He is an elected member of the American Academy of Arts and Sciences and the American Philosophical Society, and sits on the boards and advisory committees of many research institutes and museums in the United States and China.

Wu Hung will be delivering the Andrew W. Mellon Lectures at the National Art Gallery in 2019.


The Double Screen: Medium and Representation in Chinese Painting

University of Chicago Press

Monumentality in Early Chinese Art and Architecture

Stanford University Press

The Wu Liang Shrine: The Ideology of Early Chinese Pictorial Art

Stanford University Press


Myth/History, Inaugural exhibition of the Yuz Museum, Shanghai, 2014

Yang Fu Dong: East of the Que Village, (with Monika Szewczyk), Logan Center for the Arts, University of Chicago, 2014 

Inspired by the Opera: Contemporary Chinese Photography and VideoSmart Museum of Art, University of Chicago, 2014

Liu Hung: Crane and Butterfly, University of Chicago Center in Beijing, Beijing, 2013

Wang Luyan: Diagramming Allegory, Fangcaodi Gallery, Beijing, 2013

Xu Xiwen: Seven Miners, University of Chicago Center in Beijing, Beijing, 2012

Ye Yongqing: Broken Flow, Yuz Contemporary Art Museum, Jakarta, 2011

Bingyi: CascadeSmart Museum of Art, University of Chicago, 2010

Summer: New Oil Paintings by Zeng Hao, Beijing Center for the Arts, Beijing, 2010

2010 Zeng Fanzhi, Rockbund Art Museum, Shanghai, 2010


Potters Wheel
Richard Neer
Ancient Greek Art and Architecture
CWAC 259
Andrei Pop
Andrei Pop
Modern Art and Aesthetics
1130 East 59th Street
Lisa Zaher
Lisa Zaher
Modern and Contemporary Art
University of Chicago
Conservation Research Fellow