Erica Warren

Biography

Erica Warren is a curator and scholar with over ten years’ experience working with collections, in museums, and teaching. She is the co-founder of the Craft Chronicle, an interactive digital humanities project that further elucidates and visualizes the interconnectedness of craft practice across the United States throughout the twentieth century and beyond. In 2025, Erica will be a Lenore G. Tawney Foundation Fellow.

Erica’s area of specialization within decorative arts and design histories centers on the nineteenth century through the present day with a focus on alternative modernisms. Within this broad expanse, her research pursuits include the human and ecological costs that attended industrial innovations in modern textile production; color theory, synthetic dyes and modernists with intermedial art practices; the American designer, entrepreneur, and weaver Dorothy Liebes; the historiographies of modern craft and design; and the unbounded, yet materially specific, practices of contemporary artists.

Publications

Beyond: Tapestry Expanded (American Tapestry Alliance and Richard E. Peeler Art Center at DePauw University, 2024)

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“Fission: Design and Mentorship in the Dorothy Liebes Studio” in A Dark, A Light, A Bright: The Designs of Dorothy Liebes, edited by Susan Brown and Alexa Griffith (Cooper Hewitt, Smithsonian Design Museum, 2023)

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“Beyond Weaving: Transdisciplinarity and the Bauhaus Weaving Workshop,” Textile: The Journal of Cloth and Culture 20.4 (published online October 2021): 439-456.

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"Intersecting Threads: Scandinavian Weaving Influences in the United States,” for the exhibition catalog Scandinavian Design and the United States, 1890-1980, edited by Bobbye Tigerman and Monica Obniski (Los Angeles: Prestel, 2020)

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Entries [Aesthetic Movement, Arts and Crafts Exhibition Society, Century Guild, Collinson and Lock, Cotswolds, Georgian, Georgian Revival, Glasgow Style, Guild of Handicraft, Hukin and Heath, Jeffrey and Co., Liberty and Co., Linthorpe Pottery, Morris and Co., Queen Anne Revival, Regency, and Sanderson and Sons] for The Bloomsbury Encyclopedia of Design (London; New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2016)   

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“Following the Thread: Black Mountain College and Weaving in the United States, 1934-1956” in Weaving at Black Mountain College, edited by Michael Beggs and Julie Thomson (Black Mountain College Museum + Arts Center: Yale University Press, 2023)

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Exhibitions

Weaving beyond the Bauhaus, Art Institute of Chicago, 2019-2020

Making Memories: Quilts as Souvenirs, Art Institute of Chicago, 2017-2018

Modern Velvet: A Sense of Luxury in the Age of Industry, Art Institute of Chicago, 2016-2017

The Main Dish, Philadelphia Museum of Art, 2014

Profiles

Andrei Pop
Andrei Pop
Modern Art and Aesthetics
Department Chair
CWAC 162 | Tuesdays 1-2pm or by appointment.
773.702.0278
Niall Atkinson
Niall Atkinson
Medieval and Renaissance Architecture and Urban History
CWAC 260
773.702.0270
Claudia Brittenham
Claudia Brittenham
Ancient American Art
Director of Graduate Studies
CWAC 261 | Office Hours: Tuesdays 5-6pm or by appointment
Wei-Cheng Lin
Wei-Cheng Lin
Chinese Art and Architecture
Architectural Studies Advisor
CWAC 268 | Office Hours: Wednesdays 9-10am and 12-1pm
773.702.0268
2006-07
Iowa State University
Assistant Professor, East Asian Art and Architecture
Richard Neer
Richard Neer
Ancient Greek Art and Architecture
CWAC 259
773.702.5890
Megan Sullivan
Megan Sullivan
Modern and Contemporary Latin American Art
CWAC 272
773.702.5126