Lia Markey

Biography

Lia Markey (MA Syracuse University in Florence 2001; MA University of Chicago 2002; Ph.D. University of Chicago 2008) is the Director of the Center for Renaissance Studies at Chicago’s Newberry Library where she is responsible for conferences, symposia, workshops, seminars, and digital humanities projects devoted to medieval and early modern studies.

Dr. Markey’s research examines cross-cultural exchange between Italy and the Americas in the sixteenth and seventeenth century, collecting history, and early modern prints and drawings. Publications include Imagining the Americas in Medici Florence (Penn State University Press, 2016) and a co-edited volume The New World in Early Modern Italy, 1492-1750 (Cambridge University Press, 2017). Her edited volume, Renaissance Invention: Stradanus’s “Nova Reperta” (Northwestern University Press, 2020) complemented the Newberry Library’s fall 2020 exhibition by the same title and includes catalog entries as well as contributions from a related Newberry symposium. Most recently, she co-curated the Newberry exhibition Seeing Race Before Race and co-edited a volume with the same name with Noémie Ndiaye (2023).

Dr. Markey has taught at Northwestern University, the University of Pennsylvania, and at Princeton University and held fellowships at the Folger Library, the Warburg Institute, Harvard's Villa I Tatti, the Metropolitan Museum of Art, the Herzog August Bibliothek, and the European University Institute in Florence. She is currently working on articles and books related to the conception of Mannerism, cartography, and Medici patronage and she is involved in two collaborative projects focused on the slave trader Francesco Carletti and the naturalist Ulisse Aldrovandi.

Publications

“The Global Renaissance and the Canon of Art,” in The Globalization of Renaissance Art: A Critical Review, ed. Daniel Savoy (Leiden: Brill, 2017): 255-288.

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“The Riches of the Indies: Francesco and Ferdinando de’ Medici and the Americas,” in The Grand Ducal Medici and their Archive (1537-1743), eds. Alessio Assonitis and Brian Sandberg (Turnhout: Brepols, 2016): 123-132. 

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“Stradano’s Allegorical Invention of the Americas in Sixteenth-Century Florence” Renaissance Quarterly 65, 2 (Summer 2012): 385-442.

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Istoria della terra chiamata la nuova spagna: The History and Reception of Sahagún’s Codex at the Medici Court,” in Colors Between Two Worlds: The Florentine Codex of Bernardino de Sahagún, ed. Gerhard Wolf and Joseph Connors with Louis Waldman (Florence: Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, 2011): 199-220.

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Captured Objects: Inventories of Early Modern Collections, Journal of the History of Collections, 23, 2 (2011). (special edition of the journal guest co-edited with Jessica Keating)

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“Indian Objects in Medici and Austrian-Habsburg Inventories: A Case Study of the Sixteenth-Century Term” Journal of the History of Collections, 23, 2 (2011): 283-300. (coauthored with Jessica Keating)

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“Introduction” in Captured Objects: Inventories of Early Modern Collections, Journal of the History of Collections, 23, 2 (2011): 209-213. (co-authored with Jessica Keating)

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“Medici Statecraft and the Building and Use of Ammannati’s Ponte Santa Trinita” in Italian Art, Society and Politics: A Festschrift in Honor of Rab Hatfield, eds. Barbara Deimling, Jonathan K. Nelson and Gary M. Radke (Syracuse: Syracuse University Press, 2007): 178-193.

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Catalogue entries on drawings by Calvaert, Caron, Agostino Carracci, Ferri, Hoin, Moreau Le Jeune, Rosa, Setti, Stradano and Wierix in Drawings in Dialogue: Old Master through Modern: The Harry B. and Bessie K. Braude Memorial Collection, eds. Suzanne Folds McCullagh and Douglas Druick, exh. cat. Art Institute of Chicago, June 3-July 20, 2006 (Chicago: Art Institute of Chicago, 2006).

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“The Female Printmaker and the Culture of the Reproductive Print Workshop,” in The Paper Museum: The Reproductive Print in Europe, 1500-1800, eds. Rebecca Zorach and Elizabeth Rodini, exh. cat. Smart Museum of Art, February 3-May 25, 2005 (Chicago: The David and Alfred Smart Museum of Art, 2005): 51-73.

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Profiles

Andrei Pop
Andrei Pop
Modern Art and Aesthetics
Department Chair
CWAC 162 | Tuesdays 1-2pm or by appointment.
773.702.0278
Niall Atkinson
Niall Atkinson
Medieval and Renaissance Architecture and Urban History
CWAC 260
773.702.0270
Claudia Brittenham
Claudia Brittenham
Ancient American Art
Director of Graduate Studies
CWAC 261 | Office Hours: Tuesdays 5-6pm or by appointment
Wei-Cheng Lin
Wei-Cheng Lin
Chinese Art and Architecture
Architectural Studies Advisor
CWAC 268 | Office Hours: Wednesdays 9-10am and 12-1pm
773.702.0268
2006-07
Iowa State University
Assistant Professor, East Asian Art and Architecture
Richard Neer
Richard Neer
Ancient Greek Art and Architecture
CWAC 259
773.702.5890
Megan Sullivan
Megan Sullivan
Modern and Contemporary Latin American Art
CWAC 272
773.702.5126