Richard Neer

Biography

Richard Neer is Barbara E. and Richard J. Franke Distinguished Service Professor in Art History, Cinema & Media Studies and the College and Director of the Franke Institute for the Humanities at the University of Chicago, where he is also an affiliate of the departments of Classics and Romance Languages & Literatures. He works at the intersection of aesthetics and the history of art across Classical archaeology, early modern French painting and mid-twentieth century cinema, with a special interest in theories of style. His Ph.D. is from the University of California at Berkeley (History of Art, 1998), his A.B. from Harvard College (Fine Arts, 1991). He has received fellowships and awards from the J. Paul Getty Museum, the Center for Advanced Study in the Visual Arts, the J. Paul Getty Trust and the American Academy in Rome. From 2010 to 2018 he was the Executive Editor of Critical Inquirywhere he continues to serve as co-editor. In 2022 he was elected to the American Academy of Arts and Sciences.

Publications include The Emergence of the Classical Style in Greek Sculpture (2010), named a “Best Book” of 2010 in ArtforumPindar, Song, and Space: Towards a Lyric Archaeology (2019), co-authored with Leslie Kurke, recipient of the 2019 PROSE Award for best book in Classical Studies from the Association of American Publishers; and, most recently, Painting as a Way of Life: Philosophy and Practice in French Art, 1620–1660 (2025).

Publications

Painting as a Way of Life: Philosophy and Practice in French Art, 1620-1660.

Chicago: University of Chicago Press
,
2025

希腊世界的艺术与考古. 

Wuhan City, Huazhong University Press
,
2020

Davidson and His Interlocutors

Co-edited with Daniele Lorenzini. Special Issue of Critical Inquiry
,
Winter 2019

Art & Archaeology of the Greek World: A New History, c. 2500–c. 150 BCE

Second Edition. London and New York: Thames and Hudson
,
2019

Conditions of Visibility

Oxford: Oxford University Press
,
2019

Pindar, Song, and Space: Towards a Lyric Archaeology

Co-authored with Leslie Kurke. Baltimore, MD: Johns Hopkins University Press
,
2019

Τέχνη & αρχαιολογία του ελληνίκου κόσμου. Περ. 2500 – περ. 150 π.Χ. Μια νέα ιστορία.

Athens: Kardamitsa
,
2018

Kunst und Archäologie der griechischen Welt: Von den Anfängen bis zum Hellenismus

Philipp von Zabern
,
2013

Art & Archaeology of the Greek World: A New History, c. 2500 - c. 150 BCE

First Edition. Thames and Hudson
,
2012

“Historical Distance.” In Charles Ray V, edited by Yuri Stone, 14-21 (Potomac, MD: Glenstone, 2025).

Potomac, MD: Glenstone
,
2025

"Statues, Stelai and Turning-Posts in Greece, ca. 565-ca. 465 BCE: The Limits of Iconography.” In Landscape Systems, edited by Jaś Elsner, 59-98 (Oxford: Oxford University Press, 2022).

Oxford: Oxford University Press
,
2022

“Small Wonders: Figurines, Puppets and the Aesthetics of Scale in Archaic and Classical Greece,” in Figurines, edited by Jaś Elsner, 11-50 (Oxford: Oxford University Press, 2020).

Oxford: Oxford University Press
,
2020

“Ancient Greek Vessels between Sea, Earth, and Clouds," in Vessels: The Object as Container, edited by Claudia Brittenham, 6-49 (Oxford: Oxford University Press, 2019).

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“Introduction” and “Three Types of Invisibility: The Akropolis of Athens.” In Conditions of Visibility, edited by R. Neer, 7-42 (Oxford: Oxford University Press, 2019).

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“Introduction” and “Lightweight: Mizoguchi, Ugetsu and the Displacement of Criteria” in “Davidson and His Interlocutors,” edited by D. Lorenzini and R. Neer. Special issue, Critical Inquiry 45 (2019).

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"L'histoire de l'image (après Vernant)," in Relire Vernant, edited by Stella Georgoudi and François de Polignac, 169-86 (Paris: Les Belles Lettres 2018).

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“Amber, Oil and Fire: Greek Sculpture beyond Bodies,” in Art History (2018)

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“Ornament, Incipience and Narrative: Geometric to Classical,”  in Ornament and Figure in Graeco-Roman Art: Rethinking Visual Ontologies in Classical Antiquity, edited by Michael Squire and Nikolaus Dietrich (Berlin: De Gruyter 2018)

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“Was the Knidia a Statue? Art History and the Terms of Comparison,” in Comparativism in Art History, ed. J. Elsner (New York: Routledge 2017)

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Exhibitions

"Graphikē: Writing/Drawing in the Ancient World,” (with Glenn Most) Smart Museum of Art, University of Chicago, 2006

Profiles

Andrei Pop
Andrei Pop
Modern Art and Aesthetics
Department Chair
CWAC 162
773.702.0278
Niall Atkinson
Niall Atkinson
Medieval and Renaissance Architecture and Urban History
Director of Architectural Studies
CWAC 260
773.702.0270
Claudia Brittenham
Claudia Brittenham
Ancient American Art
Director of Graduate Studies
CWAC 261 | Office Hours: Tuesdays 5-6pm or by appointment
Wei-Cheng Lin
Wei-Cheng Lin
Chinese Art and Architecture
Architectural Studies Advisor
CWAC 268 | Office Hours: Wednesdays 9-10am and 12-1pm
773.702.0268
2006-07
Iowa State University
Assistant Professor, East Asian Art and Architecture
Richard Neer
Richard Neer
Ancient Greek Art and Architecture
CWAC 259
773.702.5890
Megan Sullivan
Megan Sullivan
Modern and Contemporary Latin American Art
CWAC 272
773.702.5126